1,944 Royalty-Free Audio Tracks for "D Chord"

00:00
00:34
The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:07
Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
00:00
00:07
Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:06
Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
00:00
00:12
Example of an altered chord progression in jazz.
Author: Created by Hyacinth (talk) 05:30, 6 December 2010 using Sibelius 5.
00:00
00:53
Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).
Author: Jimmy Cox
00:00
00:08
French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").
Author: Untitled
00:00
00:06
Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?
Author: Hyacinth
00:00
00:18
Istrian scale in Schubert's Symphony No. 8 in B minor (1922), 1st mvt., bars 13-20.
Author: Franz Schubert
00:00
00:57
After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.
Author: Hyacinth
00:00
00:36
Bergamesca ('The Buffens'), Straloch MS., c. 1600.
Author: This file is lacking author information.
00:00
00:23
Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:27
Donald MacGillavry
Author: Hyacinth at en.wikipedia
00:00
00:15
Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.
Author: This file is lacking author information.
00:00
00:11
Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.
Author: Hyacinth
00:00
00:09
Chord progression with diminished seventh chords added, without chords added yet.
Author: User:Hyacinth
00:00
00:09
Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.
Author: Hyacinth
00:00
00:09
Extended dominant relationship in Schubert's German Dance, D. 643, opening.
Author: Created by Hyacinth (talk) 14:12, 22 December 2010 using Sibelius 5.
00:00
00:08
Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:19
vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.
Author: Hyacinth at English Wikipedia
00:00
00:16
Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
00:00
00:19
Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.
Author: Hyacinth
00:00
00:12
Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.
Author: Hyacinth at English Wikipedia
00:00
00:22
Example for a simple straightforward walking bass line over a 12-bar blues scheme
Author: Klaus Brueckner
00:00
00:15
Parrallelism in music (example).
Author: Hyacinth
00:00
00:28
Sixteen-bar progression - repeating variety: third section's first half repeated twice.
Author: Created by Hyacinth (talk) 04:29, 14 July 2008 in Sibelius.
00:00
00:22
Eight bar blues progression boogie woogie bassline on middle C.
Author: Created by Hyacinth (talk) 19:58, 14 July 2008 in Sibelius. See boogie.
00:00
00:06
D-beat drum pattern 2a.
Author: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
00:00
00:06
The 'D-Beat' in musical notation.
Author: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
00:00
00:14
D-beat drum pattern 1.
Author: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
00:00
00:06
D-beat drum pattern 3.
Author: Created by Hyacinth (talk) 16:28, 27 April 2010 using Sibelius 5.
00:00
00:14
D-beat drum pattern 2b.
Author: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
00:00
00:07
German sixth with 6/4 resolution, generated on Sibelius.
Author: Hyacinth
00:00
00:10
CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:06
Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone
Author: Hyacinth
00:00
00:07
Neapolitan sixth in C minor.
Author: Created by Hyacinth (talk) 03:32, 3 April 2010 using Sibelius 5.
00:00
00:45
The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.
Author: Hyacinth
00:00
00:08
Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:08
Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
01:06
After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.
Author: Hyacinth
00:00
00:22
The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
00:00
00:24
Scarlatti Sonata K319, bars 62-80, octatonic descending bassline
Author: Domenico Scarlatti
101 - 150 of 1,944 Next page
/ 39